I accompany artists and creators through their processes using movement, somatic attention, and practice-as-research methodologies. My role is not to impose form, but to support clarity, presence, decision-making, and coherence within the work.
The performance cultivated serendipity and relational presence, shifting from ego-driven response to a state of being-in-relationship — where action emerges from attention rather than control.
Was an early attempt to slow down time on stage. The project approached time as a social tool — one that pressures our lives and shapes how we perceive value, productivity, and effectiveness. By working with objects and duration, the piece questioned the illusion of efficiency and invited both performer and audience into a different temporal experience, where attention replaces speed as a form of action.
The project involved living with host families for several days, transforming domestic spaces into performance sites and framing theatre as an experience of hospitality, encounter, and travel. Over one year of continuous movement, the project traveled more than 20,000 km and was presented over 50 times in diverse cultural and social contexts.